Friday, June 14, 2019
Reclining Female Figure, attributed to the Ashmolean Master, Greece, Research Paper
Reclining Female Figure, attributed to the Ashmolean Master, Greece, Cycladic Islands, Naxos Early Cycladic II, Dokathismata variety, 24002300 B.C - Research Paper ExampleIt has small pointed breasts, narrow arms that are folded rightfield below the left. The figure has gently curved hands across the abdomen that is swollen. The piece has a deep cleft apex that is bisected and separates the long legs in front. It has a shallow cleft in the back that is raised up to the horizontal buttock ridge. The knees are intended and profiled. The ankles are also incised and the feet are angle down having concave soles with delineated toes. The piece is 11 and a half inch high. (Symes)The image has a feminine figure with broad shoulders and curved cannon. It is a small sculpture that is man-portable. The figure uses curved angular shape for the head, curved square shape for the breast oval curve for the waist and semi triangular shape for the legs. The texture guinea pig used in the image is not actual but visual. This is a texture typical for human skin. The texture type indicates that it is a light piece. It has a pre superiorly light with dark accents in the value scheme.The sculpture has varied characteristic aspects that relate to the principles of design. It portrays a perfect balance wheel in the way the weight of the piece can be distributed evenly through the shoulder down to the feet. The shoulders are wider but proportional to the waist and portable by the legs. The hands are evenly shaped, but little thinner compared to the body size. The breast size is broader and not uniform to the lower part after(prenominal) the arms which provides non feminine image and looks unrealistic. This is a clear contrast on the figurative image of the female body.There is harmonious curved shaping of the waist and legs. The forward bending of the knees depicts natural movement in the piece. The piece is composed of numerous regular shaping to form a smooth feminine image. Th e dominant points on the piece are in the breasts and waist. The waist has a curving line
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